On the final Monday night in September, I was sitting in Los Angeles’ Downtown Independent watching the great Bill Stevenson ingest coffees back-to-back-to-back like he had something to prove, and the big lug started sweating profusely as all that caffeine snaked its way through his system. Mark Hoppus was presiding over a tight Q&A with Stevenson and his bandmates, so we fans could geek out about gear, or ask when the next Descendents record was coming out. But really, there weren’t that many questions to ask; everyone had been thoroughly filled in over the past 90 minutes, and we were all ready to get out of the theater and go rock out. Especially the jittery coffee man.
We’d just watched Filmage: The Story Of Descendents/ALL, an excellent documentary about an excellent band (well, two bands) which was being officially released that very night, and anyone with a brain was heading over to Los Globos afterward to celebrate with a very special ALL concert, featuring both Chad Price and Scott Reynolds on the mic.
As you walked into the club (“Hey, there’s Matt Skiba”) and took a look around (“ooh, and the guys from Pennywise”) and grabbed a beer (“is that Lee Ving??”) and walked through the crowd (“and that cutie from The Bombpops”) and got in the pit (“oh my God, I’m moshing with Davey Havok”) it dawned on you that this night was going to be a pretty memorable one.
Milo Aukerman was nowhere to be found amongst this who’s-who of punkers, and no one mentioned why, but if you can believe it, this was such a great night that everyone was more or less okay with it (I think we’ve all gotten used to Milo disappearing now and then). Immediately following ALL’s set, a steady stream of special vocalists took the stage for “Descendents Karaoke,” each one of them belting out a song or two with a Bill Stevenson/Stephen Egerton/Karl Alvarez backing band. All of it was incredible, and it was exactly the kind of release party that Filmage deserved.
People have tried to sum up Descendents’ appeal for a long time with some pithy variant of “
So Filmage finally had its wide release on that memorable September night, and is now available for purchase at your choice of online retailers (but don’t give your money to iTunes, you sheep). But if you’re in the Los Angeles area, I highly recommend that you get over to Downtown Independent right now to catch one of the final showings, and share in the enhanced experience with your fellow man. I am certain that you would laugh and it is not out of the realm of possibility that you would cry.
So go.
For updates, and future screenings, and to have a copy of the movie for your very own, go here,